Screenwriter Alex Tse and Director X have glossed up a story that took its power from its era’s reality. (“Superfly” would be better if there was more of him in it.) And Jennifer Morrison, one of the two crooked police detectives in the film, is unexpectedly terrific in a usually stereotypical role.īut it feels like the reason for remaking “Super Fly” got lost along the way.
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And any movie that casts Big Boi as the mayor of Atlanta has done some things right. Mitchell (“Mudbound”) is predictably excellent as Priest’s less scrupulous partner and friend he’s the film’s high point. Yet “Superfly” is also a generally entertaining movie, with good things in it. Williams’ presence begs the question: Wouldn’t “Superfly” be better - and carry more of a sense of danger, of real threat - if Williams was starring in it? Jackson comfortably carries the film with a smooth panache, but his Priest - like the movie - doesn’t make much of an impression. “Don’t let the pretty hair fool you,” Priest pleads to the cartel boss (Esai Morales) after circumventing his regular supplier and mentor, the karate master Scatter (Michael Kenneth Williams). With one last score in mind, Priest does what few ready to give up a life of crime would do: He goes to great lengths to prove himself to a powerful Mexican cartel. A squabble threatens the peace with the rival crew dubbed Snow Patrol, a white-dressed gang of dealers who drive white cars, shoot white guns and pretty much look like the ATL chapter of the Storm Troopers. There are already signs that his even-keeled lifestyle is about to get rocky. He wants to get out, along with his two girlfriends (Lex Scott Davis, Andrea Londo), before fate comes for him. Having risen well above the streets, Priest senses his good fortune can’t last. Financially savvy, deeply connected all over town and never rattled by the most lethal interactions, Jackson’s slickly coifed Priest is almost as much superhero as super fly. This Youngblood Priest (Trevor Jackson) is a polished businessman who runs a well-established, clandestine drug business with his partner Eddie (Jason Mitchell).
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If snorted lines of coke were copious in the original, Director X’s “Superfly” is packed with scenes of slow-motion booty shaking - imagery the filmmaker is well versed in as the director of (some very good) music videos for Drake, Rihanna, Jay-Z and Kanye West. “The Man” is mostly MIA in this “Superfly,” which takes more after Brian De Palma’s “Scarface” and familiar hip-hop fantasies than anything channeled by the earlier Blaxploitation films.